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Why I’m Bullish on Google+ Again

I joined Google+ on the day that it became available, and have always enjoyed the service. I generally find the web interface to offer a nice, visual view that allows me to easily connect with and browse the work of other photographers. It’s a much nicer experience that some other leading social networks.

While the Google+ web browser experience was pretty good, their mobile experience (at least on the iPhone) was pretty bad. There was a lot of wasted space, navigation was cumbersome, and some serious performance problems made it an onerous task to do something as simple as post a status update or share a photograph. My mobile photo sharing continued to focus on other applications while I mostly ignored Google+ when I was away from my desk.

The lack of a good mobile app led me to question how much time I’d spend with the service in the future. I became skeptical.

And then last week, this happened:

Google+ photo display Google+ photo display

An update to the iPhone app brings a new, beautiful photo-centric display which makes browsing a Google+ steam a very nice experience… arguably even better than the Instagram stream which now looks a bit plain by comparison. It’s easy to +1 photos (just tap on the + count), easy to comment, and the performance when posting new items is improved. In short, Google got this mobile experience right. Mobile photography is a big deal ($1 billion for Instagram, anyone?), and a beautiful mobile experience represents a big plus (pun intended) for Google.

There’s one big piece that’s missing (still): an API for third-party apps. My current mobile photo workflow involves using Camera Awesome to upload mobile photos to SmugMug and then cross-post to social services (sometimes Twitter, sometimes Facebook, sometimes Instagram). If I could post the images easily to Google+ as well, that would be a huge time-saver that could only increase my usage of Google+ while on the go.

I’m on the fence about switching to Google+ as my primary mobile social network (instead of Instagram). The API would make it easier, but it’s not too bad now with the new app. There’s a local Instagram meetup in a few days; I’m curious to hear what other Instagram users think about the new Google+ interface…

Join me?


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This Week in Photo Interview: Social Media for Photographers

On Saturday I had the opportunity to speak at the San Jose TWIP/SmugMug meetup group about social media for photographers. Before my main presentation, I was interviewed by Frederick Van Johnson for This Week in Photo. The recording will end up in a future TWIP podcast, but you can view the video interview now:

I had a great time chatting with the folks who attended the event and it was fun dipping my toe into the TWIP waters.


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Roundup of Craft & Vision Ebook Reviews

A couple folks have pointed out there wasn’t previously a way to easily see a list of my various photography ebook reviews of the Craft & Vision ebooks.

You can now view my review list on one page.


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Sharing Photo Discounts/Deals Without Being Spammy

I’m in a position where each week I learn about a few photo-related discounts and deals… sometimes it’s a killer deal on a big site such as B&H Photo or Amazon.com, sometimes it’s a discount for a smaller site, and sometimes it’s a coupon code that can get my readers a special savings or gift.

I assume that most people enjoy saving money, so I’d like to pass those discounts along but I want to do so in a non-spammy way. How would you prefer to hear about such discounts or deals? Please leave your response below.



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Two (okay, Three) Nikon D7000 Custom Functions to Make Things Better

I’ve been a happy user of my Nikon D7000 for over a year, and I’m not sure why I didn’t blog this sooner. There are two (okay, three) custom functions that make the user experience a lot nicer.

f7 Release button to use dial

By default (setting is OFF), adjusting many settings such as ISO or exposure compensation requires holding down the button and then turning a dial. By turning this setting ON, you can tap the button (and release) and then turn the dial. Sometimes the hold-and-turn can require a bit of finger acrobatics; I find it much simpler to tap/release and then turn.

f9 Reverse indicators

Whoever designed the in-camera exposure meter and other similar interfaces apparently works in backwards world. Remember back in fourth or fifth grade when we started learning about graphs, and we learned that on any horizontal scale, the positive numbers were always on the right? Nope. Not in the default Nikon settings. By default, left is positive.

Turn this option ON to make things, um, right.

You’ll probably also want to enable f6 Customize command dials in “Reverse dial rotation” so that the dials match the (now reversed, and correct) display.


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Where to Share Photos? SHOOT + SHARE is a New Ebook for That

SHOOT + SHARE photography ebookCraft & Vision just released the latest in its series of photography ebooks. Shoot + Share is an offering by Stuart Sipahigil that explores the world of sharing photography. What does he mean by sharing? It can mean social networking and websites, but it can also mean prints, galleries, or a photowalk. I’ve read an advance copy of the book; read on for my thoughts.

Why, and for Whom?

Assuming one’s goal with photography isn’t to create a collection of work that’s never seen by anyone else, sharing applies to all photographers. There are various aspects explored in the book, but it opens by asking “Why share?” and then explores the various audiences a photographer might want to entertain, such as:

  • sharing with photography clients
  • sharing with other photographers for review/critique
  • sharing with the world

Based on deciding who is the target audience, the rest of the book looks at various forms of sharing photography. Regardless of the sharing method, a photographer needs to edit his or her collection down to the best images, and several pages discuss the editing process as well as creating a portfolio of one’s best work.

Sharing in the Online World

A substantial portion of the book explores various online sharing methods. Sipahigil uses his own experiences with experimentation and indecision about where to share his work online as representative of the various choices that a photographer must make. Several popular photo sharing platforms are mentioned including Flickr, 500px, Google+, and individual websites. He notes that he settled on a plan where he posts his photos on his own website and then promotes links to his site via social media, but that certainly isn’t the only (or “right”) option for everyone. I will note that the material is very current — there’s a reference to Instagram for Android.

After discussing the various consumer photo sharing sites, there’s a brief overview of the “pro” photo hosting services, including SmugMug, PhotoShelter, and Zenfolio.

SHOOT + SHARE photography ebook

Sharing in Meatspace

The final section of the book deals with various forms of sharing photography that don’t involve a computer screen. There’s a look at making prints and photo books, and a discussion of places to share work such as art galleries, festivals, and coffee shops. The book wraps up with a look at teaching and participation in photowalks as a method of sharing.

Conclusions

I will admit when I first saw the title and idea for this ebook that I was a bit skeptical. I was curious what would be shared that would be of interest to anyone beyond a beginner photographer. Most of the material about sharing online was about what I expected, offering a very high level look at online sharing services but without going into very much analysis or detail about why one might choose a particular online venue over another. That said, some of the material about editing and portfolio selection was excellent, and given the affordable price of the book I would recommend those sections for anyone who’s being challenged in narrowing down their images to the best of the best.

Overall I feel this would be well-suited for photographers who are trying to make decisions about where to share their work and invest their efforts, but it falls a bit shallow in some areas where I would hope to see more depth in explaining just why to choose one sharing method over another. At the usual Craft & Vision price of $5, there are some good portions that make it an interesting read, but don’t expect detailed strategic analysis.

Buy Shoot + Share now for only $5.


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Learning Camera Exposure: Understanding Exposure Ebook Review

Understanding Exposure photography ebook by Andrew S. GibsonPhotographer and author Andrew S. Gibson has released a new ebook, Understanding Exposure, that does a good job of breaking down this fundamental photography concept. I’ve previously reviewed Gibson’s Beyond Thirds and Square books, and like his previous offerings this one didn’t disappoint. Unlike many photo ebooks, this isn’t purely for newbies. Even as someone who’s been involved with photography for over ten years (and having done it professionally for four years), I learned some new things that should improve my images.

Subtitled “Perfect exposure on your EOS camera”, there are portions of the ebook which are a bit Canon-specific, but most of the material applies to digital photography in general and will be of value to a Nikon shooter like me (or Sony, Pentax, Olympus, and so on). Understanding Exposure is divided into three general sections.

Exposure Concepts

The first section of the book covers the concepts of exposure. Beginning with the exposure triangle of shutter speed, aperture, and ISO, Gibson dives into the building blocks of photographic exposure. After explaining the relationship between these three elements, the remainder of the first section explains some of the common ways by which exposure is referred, adjusted, and measured.

The notion of exposure “stops” is explored in depth, including charts that help a reader understand the mathematics behind stops and exposure values. The final part of section one is a multi-page guide to histograms. I’ve seen many explanations of histograms in the past, but Gibson dives into more detail on both the luminance and color histograms than any other resource I’ve seen (9 pages are devoted to the topic).

Camera Settings

The second portion of the book is devoted to camera settings and controls that affect exposure. This is where things get EOS-specific, but astute readers can find similar controls on cameras from other manufacturers. This section moves in a logical order, starting with the basic metering modes (P, Av, Tv, M) and then moving into exposure compensation. After discussing the camera settings and the “easy” scenarios, there’s a discussion of how manual lenses affect exposure calculations and a quick look at how (and when) one might want to use an external light meter.

Three Exposure Scenarios

Understanding Exposure photography ebook - Andrew S. Gibson

The last part of the book consists of detailed breakdowns of the three exposure scenarios:

  • a scene in which the brightness range matches the dynamic range of the camera
  • a scene in which the brightness range is noticably less than the dynamic range of the camera
  • a scene in which the brightness range is greater than the dynamic range fo the camera

For each of these scenes, an explanation is provided with the photographer’s options for making the exposure. There is a discussion of ramifications of various decisions and a representative histogram is shown.

Summary / Recommendation

Overall this is a great book, I’d recommend it for anyone who creates images although non-Canon users will need to do a bit of translation in the portions which explain camera controls. Whether you’re a photo newbie with your first camera or a veteran shooter, the material in Understanding Exposure contains items of relevance to you. The book is over 75 pages and is provided as a PDF so it can be read on a computer or mobile device. The list price is £7, but if you order by the end of April use the discount code exposure2 to save £2.


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My Photo Sharing / Social Network Wish List

We’re in a bit of flux right now in the photo sharing space. Flickr, the powerhouse for several years, has stagnated and in the meantime Facebook became a daily destination for most of the internet. Facebook now hosts far more photos than anywhere else, but serious photographers (both pros and hobbyists alike) are yearning for a great way to store, share, and discuss their images.

Looking upward at a large skylight feature in the center of the main library in San FranciscoWith a variety of photo sharing websites in play, it seems that photographers haven’t yet found their ideal social network.

What might 2012′s perfect photo social network look like?

My Ideal Photo Sharing/Social System

Here’s what I’d like to see. My ideal photo network…

  • …is accessible via the web
  • …has great native apps for iOS and Android devices.
  • …has an open API so that developers can build support into other third-party apps.
  • …allows for easy sharing of images in an embeddable format on the web.
  • …allows for easy sharing of images via other social networks (Twitter, Facebook, etc).
  • …allows me to easily follow other photographers and see their latest images.
  • …allows me to put said photographer contacts into arbitrary lists (so that I can categorize them).
  • …allows me to specify a license for my photos.
  • …has a way to view the most popular recent photos on the site.
  • …allows users to setup groups around a common theme or interest, with the groups allowing for shared images and discussions.
  • …provides optional integration with a professional lab so that I can sell my photos (at a price I set) as prints.
  • …allows me to sell digital versions of my images.
  • …allows me to create a profile page where I an introduce myself and link to my other online places.
  • …doesn’t look like crap (yes, this is totally subjective, but it matters).

Right now, no single photo sharing site/network meets all of these criteria. Some come close. Arguably, Flickr is the closest, with the mobile experience being the big stumbling point. One can also debate where it resides in the “looking like crap” category, but recent updates such as the contacts page are a move in the right direction. Earlier today, Thomas Hawk argued that Google should buy Flickr. It’s an interesting thought, but with Flickr’s major shortcoming being the mobile experience, and the Google+ mobile apps being nearly worthless for photo sharing/browsing, I’m not sure that’s a perfect match.

What do you think? Did I leave any essential features off of my list? How do you want to share your images?


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On Facebook, Instagram, and Me

Facebook logoI generally don’t hide the fact that I loathe Facebook. The company has repeatedly made moves which aren’t good for the internet, yet somehow has convinced most of the world that they should spend hours each week participating on the Facebook website. I reluctantly use the service since it’s a way to keep up with some people who, for various reasons, don’t use the rest of the internet.

Until last Monday, I was a big Instagram fan. I actively used the service, enjoying the photo-based social network. And then Facebook bought Instagram.

Instagram IconI stopped using Instagram and haven’t uploaded any photos since the acquisition. I didn’t go as far as deleting my account, but I wanted to spend some time thinking about what a Facebook-owned Instagram would mean, and whether or not I wanted to participate in such an endeavor.

While I’m pretty sure that Facebook will find some way to screw up Instagram, I’m going to continue as an Instagram user for the time being. The social network component of Instagram has no equal and I want to continue participating with the individuals I’ve met via the app. Although I’d love to quit Instagram on principle, there isn’t another viable photography social network where I can interact and share at the level that’s possible via Instagram.

I will also be uploading all of my mobile photos to a SmugMug gallery so that I’ll have a copy of my images in the event that Facebook does something stupid.

Feel free to add me on Instagram, my username is aaronhockley.


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Despite New Pricing, 500px is Missing the Two Biggest Flickr Features

Flickr LogoI’ve been thinking a bit about the 500px account changes today with their new level that’s being discussed as a competitor to Flickr Pro. While 500px offers a decent visual experience, I don’t see it being a Flickr killer.

Flickr’s killer features aren’t photo display, they’re about communities and an open API.

  • The Groups feature, with its ability to virtually congregate with other photographers around any topic imaginable, is the big deal. Flickr both has the user base to allow for these groups to form along with the galleries and discussion features that make the groups succeed.
  • Flickr’s API means that I can get photos into and out of Flickr via hundreds (if not thousands) of applications. The painless integration with so many other services means that Flickr plays well with photography applications, Twitter clients, blog platforms, various mobile apps, and more. 500px offers very little in the way of an API, and apparently any attempts to use it are very painful.

Am I way off? I don’t see the Flickr crowd which enjoys easy photo access and great communities jumping ship to 500px anytime soon… what do you think?


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